The Laurels started life as a shoegaze band in thrall to the British sounds of the late 1980s and early 90s: Ride, Swervedriver and, most obviously, My Bloody Valentine. Their first album, Plains, was all Fender Jaguar and Rickenbacker guitars, played at deafening volume (with liberal use of tremolo arm) and, while it wasn’t exactly original, the Sydney band had close to perfected the approach.
Four years on, Sonicology sees the Laurels taking a slight left turn. The band still love MBV’s Kevin Shields, but this time it’s his work with Primal Scream circa XTRMNTR that finds an Australian echo. These are densely psychedelic wall-of-sound collages with clear dance floor and hip-hop leanings – minus the paranoid political edge that made XTRMNTR a classic.
Instead, the Laurels sound more like 24-hour party people: there’s a pronounced Madchester/baggy rhythmic influence, particularly the Happy Mondays, and there’s a lot going on. On top of layered guitar tracks, several songs feature trumpet, flute and saxophone; Some Other Time even features a bulbul tarang, a south Asian instrument which translates from its Punjabi origin as “waves of nightingales”. - Andrew Stafford (The Guardian)