Yves Klein spent the late 1950s trying to paint nothing — or rather, to paint pure sensation. His answer was a single colour he mixed himself and had patented: International Klein Blue, a pigment so saturated and matte that it seemed to absorb light rather than reflect it. He called it the colour of the void. This poster set brings Klein's monochromes together: three works that ask whether a colour alone can be enough. It can.

About your print:

• Printed on 240gsm archival giclée paper using 12-colour precision printers
• Frames hand-crafted in solid Tasmanian oak, matte black or matte white
• Made & shipped from our Melbourne studio
• Free shipping Australia-wide — arrives ready to hang
• Rated 4.9/5 by 900+ customers